Showing posts with label art tutorial. Show all posts
Showing posts with label art tutorial. Show all posts

Sculpting Basics: Everything You Need to Know to Create Three-Dimensional Artworks Review

Sculpting Basics: Everything You Need to Know to Create Three-Dimensional Artworks
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I teach intro to Sculpture at a CA university and I am really impressed with the basic info in the book. I have recommended it to my students. It covers a wide range of materials and processes. Most do not require kiln firing which makes it easier for the majority of beginners that do not have access to a kiln.

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Art students and ambitious amateur artists who turn to this volume will find detailed training for creating original and distinctive works of sculpture. Karin Hessenberg, an experienced sculptor, opens with extensive advice on setting up the workplace and assembling tools and equipment. She begins instruction with a how-to course on clay modeling that includes five separate projects, four of which culminate with kiln firing. The book's second major section presents five projects that teach the craft of molding and casting, using a variety of materials that include plaster in combination with modeling clay, wire, and concrete. A section on direct building presents two projects in which various materials-wood, wire mesh, and other objects-are applied to their frameworks to create finished sculptures. A final section for advanced sculptors offers five projects for carving-in soapstone, alabaster, limestone, lumber, and a log. In total, this volume presents projects for 17 finished pieces. Subjects include a seated Buddha, a female figure, animals, and several fascinating abstract shapes. This handsome book is printed in four-color throughout and features more than 250 instructive illustrations.

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Children, Clay, And Sculpture Review

Children, Clay, And Sculpture
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This book is extremely useful for classroom teachers and homeschooling families alike. It slowly and thoroughly works through the progression of skills from first using clay to creating finished sculpture. The chapters include information for teaching the skills, multiple examples of professional artwork that can be studied to view the technique at hand, tons of pictures of student work with the age of the student identified (very helpful for knowing how to set your expectations at a realistic level) and every chapter includes free exploration ideas as well as specific exercises.
Chapters:
Before You Begin
Explorations
Making Sculpture
Sculpting in Relief
Animals
Heads and Faces
Figures
Improving Sculptures
Finishing and Displaying Sculpture
I have taken classes with Cathy Topal; she teaches in the Education department at Smith College, helping prospective teachers learn how to teach art. The care and attention she has taken to laying out the exercises in this book clearly reflect this experience - she can think both like an experienced teacher of art and like a mentor to new teachers. This book is a valuable purchase for any art teacher or homeschool family and can be used with students from age 4 to high school level. It will grow with your child and can be used over and over to explore topics in more depth in subsequent years. I give it my very highest recommendation.

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Kids will happily dig into the soft, malleable medium, exploring its possibilities. They'll break the clay apart, rejoin it with water, try to model it into recognizable shapes, and cut out great big slabs to design. Pictures of professional sculptures, as well as objects created by kids, fill the book. Children will think it's playtime—you don't have to tell them they're learning, too.

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Modeling a Likeness in Clay (Practical Craft Books) Review

Modeling a Likeness in Clay (Practical Craft Books)
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Mrs Grubbs has lots of talent, being a pedagogue is not the least of them. As she shares her technique with the reader, every step is thoroughly illustrated and commented. Numerous examples of specific situations are shown in detail along with the sculptor's comments.
The first sections establishes the general principles governing the achievement of a likeness, going step by step through the measurements and accurate mass and volume placement, with practical demonstration.
Further sections detail the progress of the work, and the end sections are practical examples of different portrait renditions of models which vary in age, sex, ethnic features, all being taken from actual work carried out by the artist.
As Mrs Grubbs favors kiln-firing of her clay portraits, readers interested in this technique will also find very valuable information, and will learn how to properly prepare a portrait for this purpose.

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