Bill Horan's Military Modelling Masterclass Review

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(More customer reviews)It's difficult to quantify Bill Horan's contribution to historical figure modelling. His sculpting and painting set a standard by which other work was judged for at least a decade and this title continues to be a source of inspiration for me six years on. The author's steady improvement over the years (including his early, modest, efforts) is documented, which I found fascinating and should provide a spur to improvement for any dedicated modeller.
This is well written in the author's distinctive style and extensively illustrated with colour photos including a number of step-by-step sequences. In addition to many of Bill's incredible 54mm single figures, vignettes and dioramas there are numerous pictures of the work of other noted miniaturists.
Beginning with a chapter on painting a single stock figure (David Grieve's 100mm Sergeant, 79th Highlanders) the progressive photos clearly show the author's enamel-painting style, complementing the detailed written account and 15 pages showing the work of other artists round off the chapter. Chapter two covers conversion and scratchbuilding, beginning with one of the author's trademark 54mm sculpts (a Confederate infantryman in this case) built from a commercial head, resin parts, wire and putty. The text covers materials, tools and posing before detailing the techniques used. The finished figure (shown approximately four times lifesize in one view) highlights the extremely high finish and just how much additional detail can be achieved at the painting stage. 25 pages of single figures by the author and others finish off the chapter. Chapter three is on vignettes, with a detailed look at the creation of the author's "Fight For The Flag" with 13 pages of additional photos of vignettes rounding out the chapter. Chapter four covers perhaps the most impressive side of figure modelling, dioramas, with an in-depth look at the creation of the noted "Ghosts Of Chillianwallah" and also includes photos of the author's legendary "Last Stand At Gandamak" from 1988. The final chapter is on mounted figures and dioramas with "A Cloud Of Red", an exquisite three-horse vignette depicting the charge of the 16th Lancers at Aliwal, covered in detail. Eight pages of photos of top-notch mounted subjects complete the book. Although only touched on lightly in the text, careful study of the groundwork on the author's pieces will benefit the reader in this under-appreciated area of the hobby.
For anyone interested in figure modelling, an absolute must-have from an acknowledged master.

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Modeling Life: Art Models Speak About Nudity, Sexuality, And the Creative Process Review

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(More customer reviews)Sarah Philips undertook this research in Portland, during the mid-1990s. She puts in print words of art models themselves, which surprisingly hadn't happened much before. In the book we can read four more or less extended interviews with models, but dozens of conversations took place. Philips relates the models' words with interesting theoretical issues. It's a very enlightening book, since we come to know a very ignored and undervalued occupation. The book raises questions such as:
Why are there more female than male art models?
Is the myth that a model is an artist's mistress true?
Is a model the same as a stripper?
Does modeling objectify or degrade the person (usually the woman), as some feminists say?
Why would nudity be empowering and boost the model's self-confidence?
Why would someone do this job, normally part-time, since they could earn more money elsewhere? (In Portland, in the 1990s, they earned from $8.50 to $10 an hour.)
Is modeling always passive?
Why do most models underrate photography as "less artistic" than drawing, for instance?
What's the role of pornography, especially on the internet, when handling photos of artistic nudity?
What specific boundaries exist in personal space, verbal contact or eye contact when posing?
What's the difference between a "sublimely" sensual pose and a blunt sex pose?
How do models handle cold, and physical stressful or painful poses?
How do models deal with erections and menstruation?
There are no definite answers, but the discussion is really fascinating. Not all models agree upon all issues, and age and gender usually influence the answers.
I think the core of the whole question is the fact that in art modeling there are new rules, for our everyday regulations are upside down: a person doesn't hide his/her nakedness, and the others ARE supposed to observe it. The boundary is the motto "nothing unusual is happening". Don't behave as if this situation is abnormal, surprising, sexually arousing or deserving lewd peeking. It's just natural for professional artists and models to work with nudity, which can make many newcomers and art students blush.
Nudity in art is not for a particular physical aesthetics that discriminates all other bodies. It's not for sexuality, either. It's rather a celebration of the natural, general beauty of every human body, no matter its shape, color, size or other specific characteristics.
I am a painter myself, and I always work with the female nude. I can say that I am grateful to my models for their good work and professionalism. They are the body of my art, and they inspire its soul. As the model "Michael" says in the book: "If it wasn't for us, we wouldn't have a lot of the greatest works of art." For all the curious, and all of us artists who work with models, this book is necessary to understand, not stigmatize this indispensable job, in the models' own words.


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A fascinating consideration of the work of life models and the models' own perspectives on their craft.

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FOUNDRY MINIATURES PAINTING AND MODELING GUIDE Review

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(More customer reviews)Dallimore has provided an excellent guide to the eye-catching 'Foundry' style of painting in this book. Clearly presented with illustrated step-by-step guides and a plethora of example images for inspiration - many historical eras along with fantasy, steampunk and sci-fi are all covered - this book is a must have for any miniatures painter, from beginner to advanced. The only criticism is that the paints referred to are all Foundry products (unsurprising considering the title of the book). However, conversion guides from Foundry to Games Workshop, Vallejo, Plaka and many other brands of paint are easily found online. Highly reccomended!

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